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"He comes to ‘Black Cross’ very early on, performing it at his first concert - at the Carnegie Chapter Hall in New York City on November 4, 1961; recording it on the December 22, 1961 tape made privately back in Minnesota a month after he’d recorded his début album in New York, and performing the song again in 1962 at the Gaslight - it is, unfortunately, one of the numbers omitted from the official release Live at the Gaslight (2005), though it has circulated.
The Minnesota recording is simply great. He took it from Lord Buckley, but incontestably he made it his own. No-one in the world can deliver a talking song or a half-talking song as Bob Dylan can. It’s a facet of his genius that he has remained in full control of, and it’s certainly evident when he produces the perfect mimickry of the white voices and the black voice on ‘Black Cross’: not just a mastery but his audible joy in exercising it: a generous, sharing joy."
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About Me
- Name: Michael Gray
the pioneer of Dylan Studies; writer, public speaker, critic; became a Doctor of Letters in 2015 (awarded by the University of York, UK)
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The Minnesota recording is simply great. He took it from Lord Buckley, but incontestably he made it his own. No-one in the world can deliver a talking song or a half-talking song as Bob Dylan can. It’s a facet of his genius that he has remained in full control of, and it’s certainly evident when he produces the perfect mimickry of the white voices and the black voice on ‘Black Cross’: not just a mastery but his audible joy in exercising it: a generous, sharing joy."
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